The birth of Tragedy (published in 1872) was the first book
to be written by Fredrich Nietzsche. It is split into two distinct sections
with each carrying its own message. The first fifteen chapters deal with the
nature of Greek Tragedy and attempts to explain its creation as a synthesis
between Dionysian and Apollonian forces. Nietzsche maintains that the aesthetic
Apollonian world of ideas came first and provided mankind with a buffer for his
suffering and agony. After the Apollonian came the Dionysian. Wild and untamed,
the Dionysian aspect offered a true salvation from suffering and could be
achieved from living “in the moment”. The two are intertwined with the
Apollonian being required to bring out the Dionysian. This is achieved in the
form of the Greek tragedy, wherein the Chorus (the Apollonian aspect) delivers
the message of the Dionysian while also serving as a shield from pure Dionysian
chaos. Nietzsche then goes on to state that only art that is a mixture of
Apollonian and Dionysian can be considered “real art”. He criticizes several
figures (among them Euripides and Socrates) for bringing about the downfall of
true Greek tragedy by shifting focus on to the self rather than the Dionysian
concept of the primordial “all”. At this point, Nietzsche begins to apply his
metaphysical concepts to the modern world and its music, a theme that occupies
the last ten chapters. He criticizes modern opera, while giving favor to
“modern German music”, with Wagner being placed on a high pedestal. Nietzsche
would later retract some of these claims in a forward that was added onto the
second edition calling the book embarrassing. It is mostly the naïve
nationalist sentiment that most readers take issue with, although the pseudo
history and somewhat convoluted metaphysics at the beginning have also been
criticized. Despite this, Birth of Tragedy contains some extremely interesting
ideas. The American abstract expressionist painter Mark Rothko cited this book
as a source of inspiration, and when taken out of its nationalist applications,
it’s easy to see why.
Citation:http://www.sparknotes.com/philosophy/birthoftragedy/summary.html / "The Essential Mark Rothko" by Klaus Ottman / "The Birth of Tragedy" by Fredrich Nietzsche
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